A few weeks ago we did the best second-best symphonies. This week we’re going to do the best second-best operas. For the sake of argument, a composer’s second-best opera is any opera that isn’t his ...

Lyric Opera of Chicago will present Rossini’s timeless romantic comedy Cinderella, transporting audiences to a world of enchantment from January 21 to February 10, 2024. Considered one of his finest ...

The 45th edition of the Rossini Opera Festival, to be held in Pesaro from 7 to 23 August 2024, was presented at the Italian Consulate in New York. The Consul General Fabrizio Di Michele, the Mayor of ...

Sometime around his fourth “The Barber of Seville,” Chicago-based operatic baritone Will Liverman realized he’d been hounded by the same “nugget of an idea” for years. That idea was inspired by the ...

Il viaggio a Reims or The Journey to Reims, or The Hotel of the Golden Lilly is a comic opera, originally performed in three acts by Gioachino Rossini to an Italian libretto by Luigi Balocchi. Rossini ...

Knoxville Opera’s 18th annual Rossini Festival International Street Fair is hitting the streets of Downtown Knoxville on Saturday, April 13. A “legacy event,” as described by Knoxville Mayor Madeline ...

Emily Trigle as Tisbe, Alissa Goretsky as Clorinda and Isabel Leonard as Angelina/Cinderella in HGO's Cinderella. Credit: Photo by Lynn Lane In the world of opera (as in any art), each composer has a ...

The Barber of Seville is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de ...

For more than nine decades, the Metropolitan Opera Radio Broadcasts have brought opera into millions of homes, playing a vital and unparalleled role in the development and appreciation of opera in ...

Gioachino Rossini is like a train conductor, constantly propelling the movement forward. Opera Southwest will accelerate that rhythm in the composer’s “L’occasione fa il ladro (Opportunity Makes a ...

Rossini’s Maometto Secondo and Verdi’s Don Carlo, each among their composer’s grandest and most ambitious works, arrived last week courtesy of Teatro Nuovo and the Metropolitan Opera, respectively.

Gioachino Rossini (1792-1868), the ridiculously successful composer who wrote 39 operas including of “The Barber of Seville,” retired after his final opera, “William Tell,” in 1829 — at the age of 37.