Since you already have everything lossless, it doesn't really make much difference. I would do them at 128 or 160, and then re-do any at a higher bitrate if you can hear artifacts on those tracks ...

Before I started editing Streaming Media, I wrote for a magazine called EMedia, which covered the optical disc industry. That magazine is long gone, but one of the central points of its coverage ...

I have a TV channel that runs at 720/60fps progressive. Much of the content is 24fps sourced, so I usually do an Inverse Telecine (IVTC) to get get back to 24 FPS, when I compress for storage. Just ...

After three years or so in gestation, per-title encoding is becoming a required feature on most encoding platforms, whether in-house software or SaaS cloud providers. In this buyers' guide, we'll ...

Bitmovin has introduced Smart Chunking to its VoD Encoder in order to increase the quality and turnaround times with split and stitch. According to the company, the new functionality optimises chunk ...